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1.
Party at Em's 3 - Rh 80 09:05
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2.
Cleo - Rh 87 29:34
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3.
Mesma - Rh 109 22:12
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about

Cleo - Electronic music, Em 3 - my 21st album and the third volume of my Early Electronic studies including the notable title piece Cleo - Rh 87.

Party at Em’s 3 – Rh 80. The 3rd piece in a series of psychedelic pieces realised from recordings at a friend’s Party. Coincidentaly opening album Em 3. Nine minutes of rolling compounded rhythm.

Cleo - Rh 87. Deverstating rolling of thunder – metalic outfall like the droning of a Bombing raid. Voicing’s emerge and Die. Metalic harmonics and compounding rhythm, from Bass strings - ‘Siouxsie’ my Black Fender Fretless. Part of the same melting, molton thunder as Basspoint and Iotis – Rh 76 and 77 – from the album Em 2.

Mesma – Rh 109. Back to Em work after producing Phase music for awhile, we’re 22 works further on from Cleo, something wes learned. Here again Electric Bass is the primary soundsorce but with percussion folded in– indeed Mesmeric.


A early reorganization of my music research interest defined my music into dedicated sets of Albums. This way things of a kin got heard together - as one type of album or another - by Genre - or Tranche as I styled them. In this Case Case Electronic music. - Music taking a long processing detour from an original acoustic source – by convention Em.

My 19th to 26th albums collect together the first eight dedecated Em albums in a block, one of 5 blocks, placed like books on a shelf- in an overarching 'Group' of my first 27albums. Five Blocks for the Five Tranches - as they were founded (more of less) - five sets of studies and pieces, as my Foundational Group 'Blue Cherry' [after a friend]. The foundation stone the rest of my music is built on - in four further Groups.

The Eight Em albums in the Blue Cherry Group are : Three Volumes of quite advanced studies; Em 1 Canticle for large bell – most noted for its title piece, using the ‘voices’ of bell harmonics; Em 2 Basspoint – mysymphonic outing for Bass; and Em 3 Cleo – noted for the title piece - Cleo. Next to to those are five volumes of album lenth themed sets and pieces; Em 4 Callisto – two lunar lanscapes, subtitled ‘The Moons of Jupiter Vol 1’; Em 5 WHA – an hour long outing for asymetrically phased Tubular Bells; Em 6 Cepheid - a space odyssey; Em 7 Dark Night Of The Soul – a huge electronic tone poem; and Em 8 Europa – two more lunar landscapes - ’Tthe Moons of Jupiter vol 2.’

Beginning as a percussionist my first 7 albums are for Drums of various kinds, Drum music or Dm, my first area of research interest or Tranche. I soon realised there was a second area of percussion, as a generality over a specialism - percussion on anything other than Drums, MPm. The third of of five was the Phase music, realised by tape looping and timing, Phm. The fourth, a genre of Electro Acoustic composition, Music for Strings, Electronics and Percussion. Last of the five is Electronic music - Music taking the longest processing detour from an original acoustic source – by convention Em.

The DCM album numbers are volumes in a [for the most part] chronological edition.- The DCM Broadhurst Edition - Prepared for the British Library in 2018. The Volumes or Albums themselves were actually released as and when it was possible. The Edition though, was planed to stand on the 'foundation Stone' of the Blue Cherry group.

The Rh catalogue, numbers my works, in order of Completion.

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released November 23, 2013

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julianbroadhurst Em Derby, UK

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