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Fibonacci

by julianbroadhurst Em

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Fibonacci - Electronic Music, Em 19 - my 57th album. Three works where experimental Rhythm and hence music, are created from Field and Documentary recordings. Another experimental way of finding music as a 'Consideration in time and Process.' My minimal definition of music being - 'Sound considerable as time and Process’ [rather Agency].

Fibonacci – Rh 240.

A rhythmic montage, of Voices, on the subject of Fibonacci, with snatches of sense coming to the fore and disappearing as fast into the abstraction, a Kurt Schwitters like Aural Collage - I made a similar piece, around the same time with Dancer - Choreographer Joanna Leah Geldard – our Album, 'Intonation W' - one of 2 made as a part of our Collaboration - 'Etuda'.

Firerite I - Rh 235. The first of two experimental pieces creating rhythm, with a given sound source in this case fireworks I recorded in a nearby Park, just prior to the much larger 'Fibonacci' project.

Firerite II - Rh 236. The second of those two experimental pieces I recorded in a nearby Park, just prior to the much larger 'Fibonacci' project.


An early reorganization of my music research interests had defined my music into dedicated sets of Albums. This way things of a kin got heard together - as one type of album or another - by Genre - or Tranche as I styled them. In this Case Electronic music, Em. - Music taking a long processing detour from an original acoustic source. By convention Em.

Albums number 28 to 58 form my second big publishing project or Group - the 'New Horizon' - built on the foundational 'Blue Cherry' Group - where I had introduced my 5 areas of research interest, as Blocks of dedicated albums. Now in a new air I felt free to just reel them of as they came. Exploring like a man with a Time machine - where these five Genres, or Tranches, might lead me.

There are 12 Em albums in the New Horizon Group, Em 9 to 20. Em 9 is the Konzertmusic for DME; Em 10 is Dodecal – first and second parts of my Birthday Triptych. Em 11 is ‘Nonosphere’ – “A penetrating Cloud of unbearable sharps, a rush of glass hails into one helplessly caught” – after a fragment from Nono. Em 12, 13 and 14 – ‘Movement about a Point’ – ‘Isospin’ and ‘Directions’ are the three parts of my ‘Circulation Triptych.’ Em 15 ‘Earthfire’ -Contains the Twin works of 'The Philosophical Elements', 'The Fluid Elements - Rh 197 ' [Air and Water] and ‘Earthfire - Rh 198’ [Earth and Fire]. Em 16 ‘Moment of a Butterfly’ - is a momentous stylistic and ‘Philosophical’ step forward - also marking the final change from my old Drum Studio to the new 'Isabel Studio' and a step change in possibility. Em 17 ‘Ritual’ is music sourced from an actual Witches Coven, friends of mine flew in for the event, is coupled with - music microtuning from a filling vessel. Em 18 ‘Change Circle’ is a double album containing 3 pieces - projections turning slowly in a haze of microchanges – my preoccupation at the time. Em 19 and 20 are Fibonacci and Theremi. Fibonacci is a cascade of shredded speech montage brining out the tones and tails of speech into a conceptual music. Em 20 is a performed work for Theremin..

The DCM album numbers list volumes in a [for the most part]
chronological edition - the ‘DCM Broadhurst Edition’ - Prepared for the British Library in 2019. The volumes or albums themselves were actually released as and when it was possible. The Edition though, was planed from the start to stand on the 'foundation Stone' of the Blue Cherry group.

The Rh catalogue, numbers my individual works in order of Completion.

credits

released June 13, 2014

Julian Broadhurst - music as Rhythm from, field sound Recordings (2 & 3), and Documentary sound Recording (1), Composition, Realisation, Mastering (all) at Isabel Studio Em.

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julianbroadhurst Em Derby, UK

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